MAY 2023 ONLINE VERSION


first events


coffee and tea
building a case for gossip
pictures at rest


break-outs with objects
visual, word, meaning, understanding (semantics)
preparation ahead of events thereafter: outsider art

send your work to francis.laleman@gmail.com

stolen art
unrightful ownership and rightful gifts
”my art”
Jo-ha-kyū (序破急) (Yoshi Oida)
stringing-up the ‘why’ chain
R2



next events


coffee & tea
kishotenketsu
my house is my treasure box
facilitator stories with objects

we are not together and yet we are (Astad Deboo)
collectivizing impressions
the poem of you
collectivizing the poetry of life
review and retrospective

ScreenHunter 1960.png
ScreenHunter 83.png


incidental workshop notes


I tried to catch fog this morning.
When does a joke become a daddy joke?
What do we call cheese that isn’t ours?

Earlier versions of A Spontaneous Manual of Facilitation

The Pictures at Rest structure in the first session was based on Our Story, A Memoir of Love and Life, by Rao Pingru 饶平如 (link)
From Yoshi Oida: The Invisible Actor, 1887

ScreenHunter 1959.png
why did we choose this painting to be a representation of this workshop?

why did we choose this painting to be a representation of this workshop?